世界中國學研究會

美国布雷斯 • 里根强强联手世界中国学研究会登陆二十一届上海世界艺术博览会

展位:Booth #: E193

主题为 “艺术,为生活添彩” 的2017(第二十一届)上海艺术博览会,作为亚洲著名的艺术品交易盛会和今年中国上海国际艺术节的扛鼎之作,将于11月2日-5日在上海世博展览馆(浦东国展路1099号)精彩亮相。

 

“看东方,21世纪全球艺术大趋势”

- Weihong Yan

《蜕变 • 衍生》- 史无前例的中西灵魂大碰撞

 

第一部分:

  1. 主题: 蜕变 • 衍生 — 追古溯今,跨越时空,融合中西,探索多维度艺术美学。

  2. 艺术家:Sibylle Schwarz (德国), 赵宏 (中国)

  3. 策展人:Weihong Yan(阎伟红 )(美国)

  4. 理念:融合汉字书法与西方超现实主义;以文房四宝为创作媒介,以西方绘画哲学诠释、演绎中国5000年汉字文化;推介和扩展文房四宝在世界人文学科中的艺术价值,探索21世纪新的艺术形式,充分演绎东西方艺术哲学。 这一融合的理念与战略完全符合我本人所创建的“笔墨驰主义”艺术构想之宗旨。

  5. 价值:汉字造就中国!图画是全人类文字发明的基础,汉字正是在此基础上人类最伟大的发明!汉字除了具备语言功能外,从艺术角度看,汉字还是一种图形艺术,一种可被西方艺术接受并钟爱的独特的图形艺术。汉字成为超现实主义绘画创作的源泉,并据此创造出新的艺术形式,真是十分罕见和独特,这在东西方艺术融合中的世界绘画历史中十分罕见。《蜕变 • 衍生》 (原“中西合璧,天人合一”) , 由策展人约翰 • 摩根教授 (阎伟红)做学术主导,并与德国艺术大师Sibylle Schwarz女士和著名书法家赵宏教授三人的跨学科学术研究项目。他们认为探索东方艺术价值,发掘华夏5000年文明,并与西方艺术相融汇,将是21世纪全球艺术发展的大趋势。21世纪是看东方的时代,在这一看东方大趋势中也将为每个西方艺术家的艺术创作带来最佳机遇与美好未来。

 

谈到看东方,回顾西方艺术史,19世纪至20世纪,西方艺术曾掀起一阵看东方艺术的热潮,如艺术大师梵高的油画“Janoaiserie: The Flowering Plum Tree, 1887”来自日本绘画与汉字的影响,在此幅作品中他大胆模仿绘画汉字、美国艺术大师Georgia O'Keeffe女士的“Blue Lines, 1916”等均从东方艺术中启迪颇多。如果说早期还主要是关注日本艺术,进入20世纪中期以后,欧洲艺术家开始转向东方古国 — 中国。受到中国艺术影响最典型的还有两位美国艺术大师有Pat Steir女士的“Study of Epitaph Painting II, 1996”中的中国碑帖与篆书的风格;Brice Marden的“Couplet IV, 1988-89”中的突出的书法线条的痕迹, 以及还有我们不得不说的比利时著名画家、诗人和作家亨利-米修 (Henri Michaux/1899~1984)的超现实主义汉字 “Henri Michaux Movements”。

 

德国著名艺术家西蓓莉 • 舒尔茨Sibylle Schwarz),早年德国柏林大学艺术学院任教,一位超现实主义、概念主义设计师、未来派和DNA艺术家。她超越了上述的西方艺术大师,在近三年多时间里,与阎教授合作,成为了西方艺术史上唯一使用文房四宝并以汉字书法作为创作基础和源泉的西方艺术家。这次的展览主题是由美籍华人阎伟红(约翰 • 摩根)教授学术指导下的”中西合璧,天人合一“汉字与西方抽象绘画跨学科研究项目的首次亮相。 舒尔茨女士是一位全能的天才艺术大师,她的绘画媒介与理念跨越了几百年绘画史技法,此次展览包括舒尔茨女士与著名书法家赵宏教授近五年来合作的汉字书法剪贴艺术(cut-outs)、汉字六体书体的拼贴艺术(collage)、汉字六体书超现实主义刺绣艺术(Embroidary)、六体书超现实主义邮递艺术绘画(mail art)、六体书超现实主义一笔画(one-line drawing)等等系列作品。(汉字六体书包括:甲骨文、金文、小篆、隶书、楷书和行草书)

 

中国著名书法家赵宏,首都师范大学书法教授,从事书法文字研究创作和教育近30馀年。近年来他在华盛顿世界银行总部、联合国以及美国20多所大学巡讲中国书法;他与美籍华人阎伟红 (约翰 • 摩根),世界著名书籍装帧设计师刘晓翔合作的《汉字六体书艺术》获得2014年“中国最美的书”,新闻出版总署出版工程经典大奖,5000年第一部以西方视角解读中国五千年汉字艺术巨著。

LEFT: "Love" in cursive script since 1900 years ago - Hong Zhao, 2014. 30cm x 30cm on Pteroceltis tatarinowii xuan paper.

RIGHT: "LUST" -surrealistic "love" in cursive script-by Sibylle Schwarz, 2014. 30cm x 30cm acrylic on paper.

LEFT: "FISH" in six different scripts -Hong Zhao, 2014. 16cm x 16cm on Pteroceltis tatarinowii xuan paper.

RIGHT: Mail-art book/Surrealistic six different scripts "FISH"-Sibylle Schwarz, 2014. 15cm x 9.5cm, thickness: 0.8mm.

LEFT: "HORSE" 舒尔茨诠释“马王堆帛书” 馬字

RIGHT: "马王堆帛书" 30cmx30cm, 赵宏書,2014

"YEAR OF GOAT"- acrylic on xuan paper, 2014, Sibylle Schwarz.

"Erya" and the Fish Character – The Transmutation

HAND-ROLL"ERYA & THE CHINESE FISH CHARACTER"- THE TRANSMUTATION - BY HONG ZHAO, MAY, 2015, USA. CHINESE INK ON XUAN PAPER. DIMENSION: 35CMX980METER

HAND-ROLL"ERYA & THE CHINESE FISH CHARACTER"- THE TRANSMUTATION - BY SIBYLLE SCHWARZ, MAY, 2015, USA. CHINESE INK ON XUAN PAPER. DIMENSION: 35CMX980METER

“尔雅”与鱼-《蜕变 • 衍生》

《尔雅》是中国古代百科全书式的一部辞典,我们以其中的“释鱼”为切入点,创造性地将鱼字的诸多古老形态与西方的超现实主义绘画相结合,交相辉映,相得益彰,联袂向大家展示东方与西方、传统与现代的碰撞与融汇。

 

“尔雅”与鱼-《蜕变 • 衍生》38个古图形文字 “鱼” - 作者:赵宏 

DIMENSION: 35CMX980METER ON XUAN PAPER (RICE PAPER)

“尔雅”与鱼-《蜕变 • 衍生》38个超现实主义 “鱼” - 作者:SIBYLLE SCHWARZ

DIMENSION: 35CMX980METER ON XUAN PAPER (RICE PAPER)

 

"Erya" and the Fish Character – The Transmutation

"Erya" is an ancient Chinese encyclopedia dating back to the 5th century BC. During ancient times, there were many kinds of fish characters; these different styles of "fish" have been innovatively combined and interpreted in both Western surrealistic paintings and in Chinese characters.  The very different artistic styles now complement each other as Eastern and Western aesthetic philosophy, traditions, and practices integrate in the modern world.

 

In this artwork, there are a total of 38 different style of Chinese fish characters of “Erya” done by famous Chinese calligraphy master Dr. Hong Zhao, and these characters were aggressively interpreted by German artist, SIbylle Schwarz in one-line drawings in surrealism using the four "Chinese treasures" (Chinese Xuan paper, Chinese ink, Chinese brush and inkstone)

 

Dimension: Length: 9.2meters, height: 35cm/Completed date: May 2015, USA.

 

第二部分:

  • 雕塑作品:12生肖兽首之一 - 猴首,世界首例钢铁生肖雕塑作品。

  • 艺术家:雕塑家黄起才(详情点击名字)。中国钢雕艺术家,学术研究领域:多型材料实验艺术。

  • "MONKEY"  - by Huang Qicai, 2017,dimension: 长: 82cm, 宽:70cm,高:102cm 

 

CLICK TO ENLARGE THE IMAGES 点击放大图片

2016, THE YEAR OF THE MONKEY - CHINESE CHARACTER MONKEY, 31cmx31cm, 2015

The Brush Speaks an Ancient Civilization - The Six Writing Styles of Chinese Calligraphy  

The evolution of Chinese writing history over the past 5,000 years - By Dr. Hong Zhao, 2015

From left to right: Oracle bone script since 3,500 yrs ago, bronze script, 3,200 yrs ago, seal script, 2,300 yrs ago, clerical script, 2,000 yrs ago, standard script, 1,900 yrs ago, and cursive script, 1,800 yrs ago.

第三部分:

  • 巴洛克铜版画艺术

  • 艺术家:Peter Kocak博士, 世界著名巴洛克铜版画艺术大师,斯洛伐克国立大学艺术学院版画教授,研究领域:巴洛克铜版画。多次获得斯洛伐克总统奖和波兰总统大奖,其作品曾在世界级博物馆展出,例如:华盛顿斯密斯索尼娅博物馆等。

  • 作品:The Guards, etching, 130x278mm, 2016

 

 The Guards, etching,130x278mm, 2016

Orpheus and Eurydice, dry point, 95x134mm, 2015

Sirens, dry point, 60cmx31cm, 2016

The Bodyguards, 60cmx31cm, 2016

策展人:

  • 约翰 • 摩根, 策展人、作家、美中教育、文化和商业高级咨询顾问。

  • 现任美国世界中国学研究学会首席执行官;前美国银行行长休 • 麦考当代艺术中心国际委员会主席和北京外国语大学中国文化研究院研究员

学术研究:

  • 中国学以及中国文化国际传播学、中西美学与跨文化比较研究与推广。

  • 汉字书法文化与美国STEM/STEAM教育研究。(Science科学、Technology技术、Engineering工程、Art艺术和Mathematic数学)

  • 汉字书法文化与脑可塑性研究。

"LOOKING EAST - THE ART WORLD IN THE 21ST CENTURY"

TRANSMUTATION-TRACING THE PAST, DRAWING THE FUTURE

Nothing like this has ever happened before in the realm of World Art History. 

21st Shanghai Art Fair, 2017/11-02-2017 ~ 11-05-2017

Bryce Reagan INC, USA

Booth #: E193

 

PART ONE:

1.  Theme: TRANSMUTATION & DERIVATION - TRACING THE PAST, DRAWING THE FUTURE

  • Artist: Sibylle Schwarz (Germany), Zhao Hong (China)

  • Curator: Weihong Yan (USA)

 

2.  The Concept: Integrating Chinese characters with surrealism; utilizing traditional Chinese "four treasures" (Chinese xuan paper, Chinese ink, Chinese brush, and inkstone) as source and medium to interpret 5,000 years of ancient Chinese culture in Western philosophical aesthetic language; and to explore the Chinese four treasures' value in art, as well as explore new art forms, fully merging the Eastern into the Western art philosophy.

 

3.  The Value: Chinese characters, the making of China! Pictographic writing is the basis of all human writings of all mankind. Chinese characters are one of greatest inventions of mankind, and are unique among all the languages on our planet in being continuously used from prehistory till now. In addition to semantic function, from the artistic point of view Chinese characters can also be seen as expressive imagery, which can be easily accepted and loved by Western artists and non-artists as a unique art form. Meanwhile, Chinese characters have become the source of surrealist paintings; accordingly a phenomenal new form of art has happened. To explore the 5,000 year-old Chinese civilization, and to mix Western art and Chinese art, could be the art trend of the future.

In the 19th century to the 20th century, successive waves of Western artists have sought the future of Western art in the Far East. Early on, the focus was Japan, but through the twentieth century many turned also to China. Van Gogh's oil painting "Japonaiserie: The Flowering Plum Tree, 1887" with strong elements, and style of imitation of Chinese characters. The American painter Georgia O'Keeffe's "Blue Lines, 1916" represented Chinese landscape style in her drawing, and other western artists influenced by Chinese art are Pat Steir  ("Study of Epitaph Painting II, 1996" in the style of Chinese rubbings and seal) and Brice Marden  ("Couplet IV, 1988-89" in the traces of prominent calligraphy lines). Here I must mention the Belgian surrealist painter, poet and writer Henry Michaux (1899 ~ 1984) and his "Henri Michaux Mouvements" which were influenced by Chinese characters.

Sibylle Schwarz, a many-sided German surrealist, conceptist and DNA artist, "the queen of one-line drawing" of the world, has aggressively surpassed the above-mentioned artists, and became the only Western artist who used the Chinese four treasures to create artworks based on Chinese calligraphy done by Dr. Hong Zhao, the internationally acclaimed Chinese calligrapher. In Sibylle Schwarz’s vivid explanation and interpretation of the complexities of Chinese characters in her own rich surrealistic language with beautiful poetic lines, colors consisting of many figures, and stories that reflect and echo the meaning of each Chinese word in order to modify the theme of each character's meanings in her remarkable artworks. The artworks we will be exhibiting are the surrealist six scripts of Chinese characters "love", surrealist six scripts of Chinese characters "fish" (in mail-art format), Chinese "horse" characters on xuan paper, and so on.

Dr. Zhao Hong, distinguished professor of Chinese calligraphy of Capital Normal University, China, has been lecturing internationally on six inscriptions in the evolution of Chinese writing over 5,000 years. He co-authored the publication “The Brush Speaks the Civilization: the Art of Six Scripts of Chinese Writing," which became China's "Best Book of the Year 2014", the 1st Book of the six scripts of art from 5,000 years of China's history.

 

PART TWO:

  • Sculpture: Chinese zodiac - monkey, the world's first scrap-metal sculpture works.

  • Artist: Huang Qicai. Chinese sculptor, his academic research field is in multi-material experimental art.

PART THREE:

  • Baroque printmaking

  • Artist: Dr. Peter Kocak, Professor of Graphic Arts at the Preso University, Slovakia, Research Field: Baroque printmaking. Repeatedly won both the Slovak Presidential Award and the Polish Presidential award.

 

Curator:

Weihong Yan, American curator, author, US-China education, culture and Business Senior Consultant and strategic specialist and research professor of Chinese studies in Beijing Foreign Studies University, China. He is also the chief executive officer of the World Association Chinese Studies.

Academic:

1. International relations focus on Chinese studies.

2. Chinese and Western aesthetics and cross-cultural research.

​3. Interdisciplinary studies of Chinese calligraphy and neuroplasticity. 

---------------------------------------------------------------------

Contact Info:

Weihong Yan

brmorganleeeann@gmail.com

704-164-1616 (USA) 

Add: 4736 Hedgemore Dr. Unit P, Charlotte, NC 28209, USA.

 

超现实主义:

SIBYLLE SCHWARZ

 版画:PETER KOCAK

策展: JONES XIONG

​世界中國學研究會
The World Association for Chinese Studies
 

Thank you for visiting us. Please use the form below to submit any questions or comments and we will try to respond as soon as possible.  

謝謝您訪問我們的網站。請使用以下表格提交任何問題或意見,我們將盡快作出回應。

研究會使命/Misson - World Association for Chinese Studies
00:00 / 00:00
  • b2de9c82d158ccbf5da8f6821bd8bc3eb1354175
  • imgretroscann224
  • 1C8B77B4D8ACC843FFC6DB1027BCCDA5
  • Screen Shot 2016-11-22 at 8.08.33 PM
  • 526802_10150854242378059_1767858215_n
  • Screen Shot 2016-11-22 at 2.01.09 PM
  • aata_logo
  • Screen Shot 2018-01-30 at 8.35.21 AM
  • 石彼得
  • IMG_0163
  • White Instagram Icon
  • White YouTube Icon
  • White Facebook Icon

笔墨驰-BIMOCHism

文房四寶-京劇臉譜-超現實主義藝術

Chinese four treasures-Peking Opera-Surrealism

SIBYLLE SCHWARZ, GERMAN ARTIST,

HONG ZHAO, CHINESE CALLIGRAPHER

Library of Congress International Collections

美國國會圖書館 

中國研究基金

American Council of Learned Societies 

美國藝術治療協會 

American Art Therapy Association

ZHANG DAWO 張大我

Australian Chinese Contemporary Ink Artist

Peter Kocak 石 • 彼得

BRYCE REAGAN - 布萊斯 • 里根​

創造更好的教育

Copy Right @ WACS, 2016. 

Screen Shot 2017-10-30 at 1.01.42 PM